Three years of focusing on one thing... getting the iStart2 movement off the ground...
Reminds me of a song I often listened to back in the seventies...
I started a joke
which started the whole world crying
But I didn't see
that the joke was on me, oh no
I started to cry
which started the whole world laughing
Oh if I'd only seen
that the joke was on me
(Beegees)
3 years in 12 and a half minutes ...
Tuesday, March 13, 2012
Monday, March 5, 2012
Sound of silence
Doris: I'm unhappy.
George Valentin: So are millions of us.
George Valentin: So are millions of us.
( From the movie: The Artist)
Hello
darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence
How many are silenced, because in order to
get to their art they would have to scream? (Ann Clark)
In restless dreams I walked alone
Narrow streets of cobblestone
'Neath the halo of a street lamp
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of a neon light
That split the night
And touched the sound of silence
Soon silence will have passed into legend.
Man has turned his back on silence. Day after day he invents machines and
devices that increase noise and distract humanity from the essence of life,
contemplation, meditation. (Hans Jean Arp)
And in the naked light I saw
Ten thousand people, maybe more
People talking without speaking
People hearing without listening
People writing songs that voices never share
And no one dared
Disturb the sound of silence
Real action is in silent moments. (Ralph Waldo Emerson)
"Fools", said I, "You do not know
Silence like a cancer grows
Hear my words that I might teach you
Take my arms that I might reach you"
But my words, like silent raindrops fell
And echoed
In the wells of silence
Create, artist, do not talk. (Johann Wolfgang von Goethe)
And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said, "The words of the prophets are written on the subway walls
And tenement halls"
And whispered in the sounds of silence
Wednesday, February 15, 2012
Wanting to be a Red Indian ...
Wanting to be a Red Indian
- Franz Kafka
Ah,
if one were a Red Indian,
on the alert immediately,
[talking about the
white men coming]
Kicking Bird: How many?
John Dunbar: Like the stars
Kicking Bird: How many?
John Dunbar: Like the stars
and if leaning into the
wind on one’s galloping horse one went quivering over the quavering ground,
over and over again till
one stopped using the spurs,
there being no spurs,
There's a highway of stars across the heavens
A hope and a dream at the edge of the sky
- Johnny Clegg
till one threw away the
reins,
there being no reins,
and one scarcely saw the
terrain out in front as a well-mown stretch of moorland without even a horse’s
neck now or a horse’s head.
Kicking Bird: I was just thinking that of all the trails in
this life, there are some that matter most. It is the trail of a true human
being. I think you are on this trail, and it is good to see.
(From: Dances with Wolves)
May the stars carry your sadness away,
May the flowers fill your heart with beauty,
May hope forever wipe away your tears,
And, above all, may silence make you strong.
Chief Dan George
May the flowers fill your heart with beauty,
May hope forever wipe away your tears,
And, above all, may silence make you strong.
Chief Dan George
Saturday, December 31, 2011
The way old friends do ...
Three Questions
Oh I don't care what comes tomorrow
We can face it together
The way old friends do
Leo Tolstoy's short story: Three Questions
It once occurred to a certain king, that if he always knew the
right time to begin everything; if he knew who were the right people to
listen to, and whom to avoid; and, above all, if he always knew what
was the most important thing to do, he would never fail in anything he
might undertake.
And this thought having occurred to him, he had
it proclaimed throughout his kingdom that he would give a great reward
to any one who would teach him what was the right time for every action,
and who were the most necessary people, and how he might know what was
the most important thing to do.
And learned men came to the King, but they all answered his questions differently.
In
reply to the first question, some said that to know the right time for
every action, one must draw up in advance, a table of days, months and
years, and must live strictly according to it. Only thus, said they,
could everything be done at its proper time. Others declared that it was
impossible to decide beforehand the right time for every action; but
that, not letting oneself be absorbed in idle pastimes, one should
always attend to all that was going on, and then do what was most
needful. Others, again, said that however attentive the King might be to
what was going on, it was impossible for one man to decide correctly
the right time for every action, but that he should have a Council of
wise men, who would help him to fix the proper time for everything.
But
then again others said there were some things which could not wait to
be laid before a Council, but about which one had at once to decide
whether to undertake them or not. But in order to decide that, one must
know beforehand what was going to happen. It is only magicians who know
that; and, therefore, in order to know the right time for every action,
one must consult magicians.
Equally various were the answers to
the second question. Some said, the people the King most needed were his
councillors; others, the priests; others, the doctors; while some said
the warriors were the most necessary.
To the third question, as to
what was the most important occupation: some replied that the most
important thing in the world was science. Others said it was skill in
warfare; and others, again, that it was religious worship.
All the
answers being different, the King agreed with none of them, and gave
the reward to none. But still wishing to find the right answers to his
questions, he decided to consult a hermit, widely renowned for his
wisdom.
The hermit lived in a wood which he never quitted, and he
received none but common folk. So the King put on simple clothes, and
before reaching the hermit's cell dismounted from his horse, and,
leaving his body-guard behind, went on alone.
When the King
approached, the hermit was digging the ground in front of his hut.
Seeing the King, he greeted him and went on digging. The hermit was
frail and weak, and each time he stuck his spade into the ground and
turned a little earth, he breathed heavily.
The King went up to
him and said: "I have come to you, wise hermit, to ask you to answer
three questions: How can I learn to do the right thing at the right
time? Who are the people I most need, and to whom should I, therefore,
pay more attention than to the rest? And, what affairs are the most
important, and need my first attention?"
The hermit listened to the King, but answered nothing. He just spat on his hand and recommenced digging.
"You are tired," said the King, "let me take the spade and work awhile for you."
"Thanks!" said the hermit, and, giving the spade to the King, he sat down on the ground.
When
he had dug two beds, the King stopped and repeated his questions. The
hermit again gave no answer, but rose, stretched out his hand for the
spade, and said:
"Now rest awhile-and let me work a bit."
But
the King did not give him the spade, and continued to dig. One hour
passed, and another. The sun began to sink behind the trees, and the
King at last stuck the spade into the ground, and said:
"I came to you, wise man, for an answer to my questions. If you can give me none, tell me so, and I will return home."
"Here comes some one running," said the hermit, "let us see who it is."
The
King turned round, and saw a bearded man come running out of the wood.
The man held his hands pressed against his stomach, and blood was
flowing from under them. When he reached the King, he fell fainting on
the ground moaning feebly. The King and the hermit unfastened the man's
clothing. There was a large wound in his stomach. The King washed it as
best he could, and bandaged it with his handkerchief and with a towel
the hermit had. But the blood would not stop flowing, and the King again
and again removed the bandage soaked with warm blood, and washed and
rebandaged the wound. When at last the blood ceased flowing, the man
revived and asked for something to drink. The King brought fresh water
and gave it to him. Meanwhile the sun had set, and it had become cool.
So the King, with the hermit's help, carried the wounded man into the
hut and laid him on the bed. Lying on the bed the man closed his eyes
and was quiet; but the King was so tired with his walk and with the work
he had done, that he crouched down on the threshold, and also fell
asleep--so soundly that he slept all through the short summer night.
When he awoke in the morning, it was long before he could remember where
he was, or who was the strange bearded man lying on the bed and gazing
intently at him with shining eyes.
"Forgive me!" said the bearded man in a weak voice, when he saw that the King was awake and was looking at him.
"I do not know you, and have nothing to forgive you for," said the King.
"You
do not know me, but I know you. I am that enemy of yours who swore to
revenge himself on you, because you executed his brother and seized his
property. I knew you had gone alone to see the hermit, and I resolved to
kill you on your way back.
But the day passed and you did not return. So I came out from my ambush to find you, and I came upon your bodyguard, and they recognized me, and wounded me. I escaped from them, but should have bled to death had you not dressed my wound. I wished to kill you, and you have saved my life. Now, if I live, and if you wish it, I will serve you as your most faithful slave, and will bid my sons do the same. Forgive me!"
But the day passed and you did not return. So I came out from my ambush to find you, and I came upon your bodyguard, and they recognized me, and wounded me. I escaped from them, but should have bled to death had you not dressed my wound. I wished to kill you, and you have saved my life. Now, if I live, and if you wish it, I will serve you as your most faithful slave, and will bid my sons do the same. Forgive me!"
The King was very glad to have made
peace with his enemy so easily, and to have gained him for a friend, and
he not only forgave him, but said he would send his servants and his
own physician to attend him, and promised to restore his property.
Having
taken leave of the wounded man, the King went out into the porch and
looked around for the hermit. Before going away he wished once more to
beg an answer to the questions he had put. The hermit was outside, on
his knees, sowing seeds in the beds that had been dug the day before.
The King approached him, and said:
"For the last time, I pray you to answer my questions, wise man."
"You
have already been answered!" said the hermit, still crouching on his
thin legs, and looking up at the King, who stood before him.
"How answered? What do you mean?" asked the King.
"Do
you not see," replied the hermit. "If you had not pitied my weakness
yesterday, and had not dug those beds for me, but had gone your way,
that man would have attacked you, and you would have repented of not
having stayed with me. So the most important time was when you were
digging the beds; and I was the most important man; and to do me good
was your most important business. Afterwards when that man ran to us,
the most important time was when you were attending to him, for if you
had not bound up his wounds he would have died without having made peace
with you. So he was the most important man, and what you did for him
was your most important business. Remember then: there is only one time
that is important-- Now!
It is the most important time because it is the only time when we have any power. The most necessary man is he with whom you are, for no man knows whether he will ever have dealings with any one else: and the most important affair is, to do him good, because for that purpose alone was man sent into this life!"
It is the most important time because it is the only time when we have any power. The most necessary man is he with whom you are, for no man knows whether he will ever have dealings with any one else: and the most important affair is, to do him good, because for that purpose alone was man sent into this life!"
Times of joy and times of sorrow
We will always see it through
We will always see it through
Oh I don't care what comes tomorrow
We can face it together
The way old friends do
(Abba)
Leo Tolstoy's short story: Three Questions
Monday, December 26, 2011
Hope is the Thing with Feathers ...
"Hope" is the thing with feathers
That perches in the soul
And sings the tune without the words
And never stops at all,
That perches in the soul
And sings the tune without the words
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land
And on the strangest sea,
Yet never, in extremity,
It asked a crumb of me
"Keep a green tree in your heart and perhaps a singing bird will come". Click here to see...
And on the strangest sea,
Yet never, in extremity,
It asked a crumb of me
"Keep a green tree in your heart and perhaps a singing bird will come". Click here to see...
- Emily Dickenson
Friday, December 16, 2011
I am a Believer ...
A Hunger Artist
In the last decades interest in hunger artists has declined considerably. Whereas in earlier days there was good money to be earned putting on major productions of this sort under one’s own management, nowadays that is totally impossible. Those were different times.
While for grown-ups the hunger artist was often merely a joke, something they participated in because it was fashionable, the children looked on amazed, their mouths open, holding each other’s hands for safety, as he sat there on scattered straw—spurning a chair—in black tights, looking pale, with his ribs sticking out prominently, sometimes nodding politely, answering questions with a forced smile, even sticking his arm out through the bars to let people feel how emaciated he was, but then completely sinking back into himself, so that he paid no attention to anything, not even to what was so important to him, the striking of the clock, which was the single furnishing in the cage, but merely looking out in front of him with his eyes almost shut and now and then sipping from a tiny glass of water to moisten his lips.
However, it was, in general, part of fasting that doubts were inextricably associated with it. For, in fact, no one was in a position to spend time watching the hunger artist every day and night without interruption, so no one could know, on the basis of his own observation, whether this was a case of truly continuous, flawless fasting.
The hunger artist himself was the only one who could know that and, at the same time, the only spectator capable of being completely satisfied with his own fasting. But the reason he was never satisfied was something different. Perhaps it was not fasting at all which made him so very emaciated that many people, to their own regret, had to stay away from his performance, because they couldn’t bear to look at him.
For he was also so skeletal out of dissatisfaction with himself, because he alone knew something that even initiates didn’t know—how easy it was to fast. It was the easiest thing in the world. About this he did not remain silent, but people did not believe him. At best they thought he was being modest.
Most of them, however, believed he was a publicity seeker or a total swindler, for whom, at all events, fasting was easy, because he understood how to make it easy, and then still had the nerve to half admit it. He had to accept all that.
Why did this crowd, which pretended to admire him so much, have so little patience with him? If he kept going and kept fasting even longer, why would they not tolerate it?
But then happened what always happened. The impresario came forward without a word—the music made talking impossible—raised his arms over the hunger artist, as if inviting heaven to look upon its work here on the straw, this unfortunate martyr, something the hunger artist certainly was, only in a completely different sense…
So he said farewell to the impresario, an incomparable companion on his life’s road, and let himself be hired by a large circus. In order to spare his own feelings, he didn’t even look at the terms of his contract at all.
When those who had witnessed such scenes thought back on them a few years later, often they were unable to understand themselves.
A large circus with its huge number of men, animals, and gimmicks, which are constantly being let go and replenished, can use anyone at any time, even a hunger artist, provided, of course, his demands are modest.
Moreover, in this particular case it was not only the hunger artist himself who was engaged, but also his old and famous name. In fact, given the characteristic nature of his art, which was not diminished by his advancing age, one could never claim that a worn-out artist, who no longer stood at the pinnacle of his ability, wanted to escape to a quiet position in the circus.
On the contrary, the hunger artist declared that he could fast just as well as in earlier times—something that was entirely credible. Indeed, he even affirmed that if people would let him do what he wanted—and he was promised this without further ado—he would really now legitimately amaze the world for the first time, an assertion which, however, given the mood of the time, something the hunger artist in his enthusiasm easily overlooked, only brought smiles from the experts.
People became accustomed to thinking it strange that in these times they would want to pay attention to a hunger artist, and with this habitual awareness the judgment on him was pronounced.
He might fast as well as he could—and he did—but nothing could save him any more. People went straight past him. Try to explain the art of fasting to anyone! If someone doesn’t feel it, then he cannot be made to understand it.
And so the hunger artist kept fasting on and on, as he once had dreamed about in earlier times, and he had no difficulty at all managing to achieve what he had predicted back then, but no one was counting the days—no one, not even the hunger artist himself, knew how great his achievement was by this point, and his heart grew heavy.
And when once in a while a person strolling past stood there making fun of the old number and talking of a swindle, that was in a sense the stupidest lie which indifference and innate maliciousness could invent, for the hunger artist was not being deceptive—he was working honestly—but the world was cheating him of his reward.
Many days went by once more, and this, too, came to an end. Finally the cage caught the attention of a supervisor, and he asked the attendant why they had left this perfectly useful cage standing here unused with rotting straw inside.
Nobody knew, until one man, with the help of the table with the number on it, remembered the hunger artist. They pushed the straw around with poles and found the hunger artist in there. “Are you still fasting?” the supervisor asked. “When are you finally going to stop?” “Forgive me everything,” whispered the hunger artist. Only the supervisor, who was pressing his ear up against the cage, understood him. “Certainly,” said the supervisor, tapping his forehead with his finger in order to indicate to the staff the state the hunger artist was in, “we forgive you.” “I always wanted you to admire my fasting,” said the hunger artist. “But we do admire it,” said the supervisor obligingly. “But you shouldn’t admire it,” said the hunger artist. “Well then, we don’t admire it,” said the supervisor, “but why shouldn’t we admire it?”
“Because I had to fast. I can’t do anything else,” said the hunger artist. “Just look at you,” said the supervisor, “why can’t you do anything else?”
Those were his last words, but in his failing eyes there was still the firm, if no longer proud, conviction that he was continuing to fast.
Acknowledgements:
- The Hunger Artist- Franz Kafka ( Translation Ian Johnstone)
- Music by Desert Rose, Yusuf and Lynn Ganief.
In the last decades interest in hunger artists has declined considerably. Whereas in earlier days there was good money to be earned putting on major productions of this sort under one’s own management, nowadays that is totally impossible. Those were different times.
While for grown-ups the hunger artist was often merely a joke, something they participated in because it was fashionable, the children looked on amazed, their mouths open, holding each other’s hands for safety, as he sat there on scattered straw—spurning a chair—in black tights, looking pale, with his ribs sticking out prominently, sometimes nodding politely, answering questions with a forced smile, even sticking his arm out through the bars to let people feel how emaciated he was, but then completely sinking back into himself, so that he paid no attention to anything, not even to what was so important to him, the striking of the clock, which was the single furnishing in the cage, but merely looking out in front of him with his eyes almost shut and now and then sipping from a tiny glass of water to moisten his lips.
![]() |
| Mary Robinson and Desmond Tutu |
The hunger artist himself was the only one who could know that and, at the same time, the only spectator capable of being completely satisfied with his own fasting. But the reason he was never satisfied was something different. Perhaps it was not fasting at all which made him so very emaciated that many people, to their own regret, had to stay away from his performance, because they couldn’t bear to look at him.
For he was also so skeletal out of dissatisfaction with himself, because he alone knew something that even initiates didn’t know—how easy it was to fast. It was the easiest thing in the world. About this he did not remain silent, but people did not believe him. At best they thought he was being modest.
![]() |
| Noeleen - 3 Talk |
Why did this crowd, which pretended to admire him so much, have so little patience with him? If he kept going and kept fasting even longer, why would they not tolerate it?
But then happened what always happened. The impresario came forward without a word—the music made talking impossible—raised his arms over the hunger artist, as if inviting heaven to look upon its work here on the straw, this unfortunate martyr, something the hunger artist certainly was, only in a completely different sense…
![]() |
| Chris Chameleon |
When those who had witnessed such scenes thought back on them a few years later, often they were unable to understand themselves.
A large circus with its huge number of men, animals, and gimmicks, which are constantly being let go and replenished, can use anyone at any time, even a hunger artist, provided, of course, his demands are modest.
Moreover, in this particular case it was not only the hunger artist himself who was engaged, but also his old and famous name. In fact, given the characteristic nature of his art, which was not diminished by his advancing age, one could never claim that a worn-out artist, who no longer stood at the pinnacle of his ability, wanted to escape to a quiet position in the circus.
![]() |
| Lewis Pugh |
On the contrary, the hunger artist declared that he could fast just as well as in earlier times—something that was entirely credible. Indeed, he even affirmed that if people would let him do what he wanted—and he was promised this without further ado—he would really now legitimately amaze the world for the first time, an assertion which, however, given the mood of the time, something the hunger artist in his enthusiasm easily overlooked, only brought smiles from the experts.
![]() |
| Arno Carstens |
He might fast as well as he could—and he did—but nothing could save him any more. People went straight past him. Try to explain the art of fasting to anyone! If someone doesn’t feel it, then he cannot be made to understand it.
And so the hunger artist kept fasting on and on, as he once had dreamed about in earlier times, and he had no difficulty at all managing to achieve what he had predicted back then, but no one was counting the days—no one, not even the hunger artist himself, knew how great his achievement was by this point, and his heart grew heavy.
![]() |
| Indigenous People of Africa |
And when once in a while a person strolling past stood there making fun of the old number and talking of a swindle, that was in a sense the stupidest lie which indifference and innate maliciousness could invent, for the hunger artist was not being deceptive—he was working honestly—but the world was cheating him of his reward.
Many days went by once more, and this, too, came to an end. Finally the cage caught the attention of a supervisor, and he asked the attendant why they had left this perfectly useful cage standing here unused with rotting straw inside.
Nobody knew, until one man, with the help of the table with the number on it, remembered the hunger artist. They pushed the straw around with poles and found the hunger artist in there. “Are you still fasting?” the supervisor asked. “When are you finally going to stop?” “Forgive me everything,” whispered the hunger artist. Only the supervisor, who was pressing his ear up against the cage, understood him. “Certainly,” said the supervisor, tapping his forehead with his finger in order to indicate to the staff the state the hunger artist was in, “we forgive you.” “I always wanted you to admire my fasting,” said the hunger artist. “But we do admire it,” said the supervisor obligingly. “But you shouldn’t admire it,” said the hunger artist. “Well then, we don’t admire it,” said the supervisor, “but why shouldn’t we admire it?”
“Because I had to fast. I can’t do anything else,” said the hunger artist. “Just look at you,” said the supervisor, “why can’t you do anything else?”
![]() |
| Archbishop Desmond Tutu |
“Because,” said the hunger artist, lifting his head a little and, with his lips pursed as if for a kiss, speaking right into the supervisor’s ear so that he wouldn’t miss anything, “because I couldn’t find a food which tasted good to me. If had found that, believe me, I would not have made a spectacle of myself and would have eaten to my heart’s content, like you and everyone else.”
Those were his last words, but in his failing eyes there was still the firm, if no longer proud, conviction that he was continuing to fast.
Acknowledgements:
- The Hunger Artist- Franz Kafka ( Translation Ian Johnstone)
- Music by Desert Rose, Yusuf and Lynn Ganief.
Monday, November 21, 2011
Minutes to Midnight ...
"The Trees"
For we are as tree-trunks in the snow.Apparantly they are merely resting on the surface of the snow, and a little push would be enough to knock them over.

No, that's not the case, for they are firmly attached to the ground.
But see, even that is only seemingly the case.
- Franz Kafka When money and the fear have taken all that's dear
that's when we know for certain
all the values that we have for feit
now we know there's no value in possessions
that's when we know for certain
all the values that we have for feit
now we know there's no value in possessions
- Chris Chameleon
The responsibility for and the ability to determine the future of Africa rests with the people of Africa ( Chris Marais, CEO - LCA)
Join Chris Chameleon, Yvonne Chaka Chaka, Ladysmith Black Mambazo, Arno Carstens and Somerfaan at the iStart2 launch in Durban on 27 November 2011.
iStart2 Act Now for Climate Justice.
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